The Mysa Chair: A Tactile Embrace Forged in Design by Studio Kohlhass
The Anatomy of an Embrace: Studio Kohlhass and the Mysa Chair
In the lexicon of human comfort, few gestures possess the universal resonance of a hug. It is an act of reciprocal support, a tender exchange that, through physical contact, facilitates the release of oxytocin, fostering feelings of warmth and connection. This profound yet often understated interaction forms the conceptual bedrock of the Mysa Chair, an innovative creation by Studio Kohlhass that translates the essence of human embrace into a tangible, structural form.
Design Philosophy: Beyond Ergonomics
Studio Kohlhass, known for its thoughtful approach to design, ventures beyond mere ergonomic considerations with the Mysa Chair. The piece is not solely engineered for postural support but is intentionally crafted to evoke a sense of psychological comfort and security. The term "Mysa," originating from Swedish, encapsulates a feeling of coziness and well-being, a deliberate choice that informs the chair's very identity. This chair embodies a design philosophy that prioritizes emotional resonance alongside functional utility.
The Structural Hug: Materiality and Form
The visual and tactile experience of the Mysa Chair immediately communicates its core intention. Its form often features enveloping contours and plush upholstery, designed to cradle the sitter in a manner reminiscent of an embrace. The choice of materials โ frequently soft, inviting textiles coupled with robust yet fluid structural elements โ contributes to this sensation. Color palettes tend towards soothing, muted tones, further enhancing the perception of tranquility and warmth. The interplay of soft surfaces and supportive structure creates a dynamic tension, mirroring the gentle pressure and steadfast support inherent in a human hug.
The design considers how different elements interact to create a holistic experience:
- Enveloping Backrest: Often high and slightly curved, designed to offer a sense of enclosure.
- Comfortable Seating: Deep and generously padded, inviting prolonged relaxation.
- Textile Choices: Tactile fabrics chosen for their soft feel against the skin, enhancing the sensory experience.
The Oxytocin Connection: Designed for Well-being
While a piece of furniture cannot directly stimulate the brain's oxytocin production, the Mysa Chair aims to create an environment conducive to feelings of relaxation and safety, which are associated with the hormone's release. The deliberate design choices โ the feeling of being held, the soft textures, the sense of security โ are all geared towards fostering a subjective experience akin to the comfort derived from physical affection. It is an exploration of how inanimate objects can influence our emotional states, transforming a simple piece of furniture into a sanctuary.
Summary
The Mysa Chair by Studio Kohlhass stands as a compelling example of design that transcends pure aesthetics and functionality, delving into the realm of emotional well-being. By meticulously crafting a form that mimics the security and tenderness of a human hug, the chair offers more than just a place to sit; it provides a retreat, a moment of 'mysa' in a demanding world. Its design ethos underscores the potent connection between our physical surroundings and our psychological comfort, asserting that even in modern living, the fundamental need for connection and solace can be elegantly addressed through thoughtful creation.
Resources
- Studio Kohlhass Official Website
- Designboom (Frequently features innovative furniture and product design)
- Dezeen (A leading architecture and design magazine)
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The Anatomy of an Embrace: Studio Kohlhass and the Mysa Chair
In the lexicon of human comfort, few gestures possess the universal resonance of a hug. It is an act of reciprocal support, a tender exchange that, through physical contact, facilitates the release of oxytocin, fostering feelings of warmth and connection. This profound yet often understated interaction forms the conceptual bedrock of the Mysa Chair, an innovative creation by Studio Kohlhass that translates the essence of human embrace into a tangible, structural form.
Design Philosophy: Beyond Ergonomics
Studio Kohlhass, known for its thoughtful approach to design, ventures beyond mere ergonomic considerations with the Mysa Chair. The piece is not solely engineered for postural support but is intentionally crafted to evoke a sense of psychological comfort and security. The term "Mysa," originating from Swedish, encapsulates a feeling of coziness and well-being, a deliberate choice that informs the chair's very identity. This chair embodies a design philosophy that prioritizes emotional resonance alongside functional utility.
The Structural Hug: Materiality and Form
The visual and tactile experience of the Mysa Chair immediately communicates its core intention. Its form often features enveloping contours and plush upholstery, designed to cradle the sitter in a manner reminiscent of an embrace. The choice of materials โ frequently soft, inviting textiles coupled with robust yet fluid structural elements โ contributes to this sensation. Color palettes tend towards soothing, muted tones, further enhancing the perception of tranquility and warmth. The interplay of soft surfaces and supportive structure creates a dynamic tension, mirroring the gentle pressure and steadfast support inherent in a human hug.
The design considers how different elements interact to create a holistic experience:
- Enveloping Backrest: Often high and slightly curved, designed to offer a sense of enclosure.
- Comfortable Seating: Deep and generously padded, inviting prolonged relaxation.
- Textile Choices: Tactile fabrics chosen for their soft feel against the skin, enhancing the sensory experience.
The Oxytocin Connection: Designed for Well-being
While a piece of furniture cannot directly stimulate the brain's oxytocin production, the Mysa Chair aims to create an environment conducive to feelings of relaxation and safety, which are associated with the hormone's release. The deliberate design choices โ the feeling of being held, the soft textures, the sense of security โ are all geared towards fostering a subjective experience akin to the comfort derived from physical affection. It is an exploration of how inanimate objects can influence our emotional states, transforming a simple piece of furniture into a sanctuary.
Summary
The Mysa Chair by Studio Kohlhass stands as a compelling example of design that transcends pure aesthetics and functionality, delving into the realm of emotional well-being. By meticulously crafting a form that mimics the security and tenderness of a human hug, the chair offers more than just a place to sit; it provides a retreat, a moment of 'mysa' in a demanding world. Its design ethos underscores the potent connection between our physical surroundings and our psychological comfort, asserting that even in modern living, the fundamental need for connection and solace can be elegantly addressed through thoughtful creation.
Resources
- Studio Kohlhass Official Website
- Designboom (Frequently features innovative furniture and product design)
- Dezeen (A leading architecture and design magazine)
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Chapter 1: Loomings.
Call me Ishmael. Some years agoโnever mind how long preciselyโhaving little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats offโthen, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
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